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updated some settings using the BETA004 posted above. I'm trying to avoid multiband at all costs in the algorithm. This is another shot at it - purely AGC and final compressor.
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2AG2.zip [142.15 KiB]
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That's honestly ......? I do not understand what you are doing ....... AGC need to manage the overall level of INPUT WHY THERE GATES? You simply PRESS with the signal from the input ... to reduce the noise between songs are noise gates !!!!!!!!!! Read carefully here is
http://omniaaudio.com/manuals/6ex There is no and there was this!! Gates to AGC? I'm just shocked .......... Another matter to enter controlled frequency .... it was just great to read on page 68 omnia manuals.
You gate the AGC to stop it from elevating input audio levels, so that the spectral balance is maintained, and you don't squash out all of your base dynamics. Most MP3 data looks to maintain a -28dB average drop from 0dB in the digital realm, more or less. If an algorithm such as ReplayGain is implemented, obviously this number will be adjusted relative to the peak threshold.
Besides, you put your faith in Omnia? Hah. It is better than its Orban counterparts, but that's not saying much.
Look at what Neural Audio does. Omnia makes kids toys in comparison. Please consider investigation of how basic levelers work, and you'll see what I am trying to do. Also, look at how the HE-AAC CODEC aliases data in its Spectral Band Reproduction algorithm - balance at and beyond 4.5kHz is absolutely essential; you cannot clip any peaks in this region which overshoot the low-frequency counterparts which the high-frequency data is translated onto in the encoding process, or else the CODEC will squeak. If you drop the treble too much, the CODEC will sound watery and muffled. Please keep in mind that this is an interim build, and is not an official HE-AAC optimization release; this is merely a proof of concept using the slower leveling with the dual AGC system. It's a work in progress with Hvz's implementation of his particular product (which is an amazing soft DSP).
