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 Post subject: Re: Stereo Tool 5.00
PostPosted: Mon May 24, 2010 9:43 pm 
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Joined: Mon Mar 17, 2008 1:40 am
Posts: 11425
Quote:
That cannot be true.. watch how much 1st band drops when bass at Beyonce's song kicks at ~30Hz.
Well, due to the nature of filtering, it's difficult to precisely determine the amplification at each frequency. So it could be that the bass is counted louder than it should.

The beats in this song are at 43 Hz. At 40 Hz, for ITU-1770 I should lower the level by 5.6 dB; at 50 Hz that's 4.0 dB. So at 43 Hz it's probably around 5.2 dB.

Edit: I just realized that I built in something to avoid artifacts in the RMS measurements - which might lead to a less than required volume drop at very low frequencies... Will check if fixing that improves things (don't expect too much from it though, and fixing it might introduce artifacts)
Quote:
it should drop, but not that much! but again, multiband is droping that bass alot. That's true too.
Maybe, but the rest of the sound doesn't drop - and it does already sound a lot better than when I was using RMS levels. And, for many other tracks, the bass is actually protecting the rest of the sound against volume drops when a loud voice kicks in.
Quote:
hmm maybe first two bands in multiband need same thing :idea:
Noooo! That would kill all the other processing steps! And, except for that, if you want more audio to come out of those first bands, just increase their 'soft limit' settings - that's basically identical to reducing how strong a frequency counts!
Quote:
don't BAN it ! :)
???


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 Post subject: Re: Stereo Tool 5.00
PostPosted: Mon May 24, 2010 10:15 pm 
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Joined: Tue Mar 17, 2009 2:56 pm
Posts: 4229
ok.

Well i found another bad thing...
This "Response time" is only good for songs, but bad for short tracks, comercials and/or any short track especially if that tracks are louder then previous. Anything over 1 or 2 sec is not good for this.

ITU specs and "remove remaining peeks" works nice.

Don't ban it! - You said that that song should be baned, erlier :)


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 Post subject: Re: Stereo Tool 5.00
PostPosted: Mon May 24, 2010 10:30 pm 
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Joined: Mon Mar 17, 2008 1:40 am
Posts: 11425
Quote:
Well i found another bad thing...
This "Response time" is only good for songs, but bad for short tracks, comercials and/or any short track especially if that tracks are louder then previous. Anything over 1 or 2 sec is not good for this.
I don't think there's a good way to solve this... If I respond faster, then things like a sudden loud voice in a song can also cause fast volume drops, which sound very annoying. Actually, that's why larger time frames are better: A loud burst of sound will have very little impact on the output volume unless it continues for a long time (and then still the effect kicks in slowly).

The best I can come up with is this:
- Increase 'up speed' a bit (*)
- Lower 'down speed' a bit (*)
- Lower the smoothing level to 120%, or even 115%

This way the volume effect of smoothing doesn't exceed 1.5-2 dB. Loud recordings will still be a bit louder when they start - but at least the volume boost (in previous settings upto 3.4 dB) isn't that much anymore.

New version will have different default settings.


(*) This reduces the difference between already compressed and not yet compressed songs!
I may also have another idea to improve this... There is currently a hold time when the volume is dropped. I can remove that, so the volume starts to rise immediately.


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 Post subject: Re: Stereo Tool 5.00
PostPosted: Tue May 25, 2010 3:39 am 

Joined: Mon Jun 09, 2008 2:45 pm
Posts: 104
Which Beyonce song? Halo?

Reminds me of this: http://www.youtube.com/watch?v=aFsmAMZ9WEY

Omnia6 processing "Halo". I like the way I have StereoTool set better. :)


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 Post subject: Re: Stereo Tool 5.00
PostPosted: Tue May 25, 2010 3:45 am 
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Joined: Mon Mar 17, 2008 1:40 am
Posts: 11425
New version online (BETA).

Changes:
- Very low bass was still being counted a bit too strongly in the AGC, now it's been reduced further
- "Hold time" on the AGC reduced to 1/6th of what it was before: This greatly reduces the difference in volume between heavily compressed and non-compressed tracks.
- Many AGC default values have been updated. Make sure to hit 'RESET' first! Among others, the 'maximum volume boost' has been decreased to 110% - which appears to be enough now!

I'm really curious if this doesn't affect the sound in a bad way - volume is increasing much sooner than before now, which leads to far more volume level changes in the AGC. Still it doesn't really seem to cause pumping etc. (And anything it does cause should be removed by Multiband).


Winamp DSP plugin: http://www.stereotool.com/download/dsp_ ... r_BETA.exe
Stand alone version: http://www.stereotool.com/download/ster ... r_BETA.exe
VST version: http://www.stereotool.com/download/vst_ ... l_BETA.dll
VST version (No SSE2): http://www.stereotool.com/download/vst_ ... 2_BETA.dll
Command line version: http://www.stereotool.com/download/ster ... d_BETA.exe


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 Post subject: Re: Stereo Tool 5.00
PostPosted: Tue May 25, 2010 3:47 am 
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Joined: Mon Mar 17, 2008 1:40 am
Posts: 11425
Quote:
Which Beyonce song? Halo?

Reminds me of this: http://www.youtube.com/watch?v=aFsmAMZ9WEY

Omnia6 processing "Halo". I like the way I have StereoTool set better. :)
Video Phone. It has some really insanely loud bass in parts of the song, but not in other parts. Before this caused *huge* differences in output level. (And it still does if you select 1 band processing).


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 Post subject: Re: Stereo Tool 5.00
PostPosted: Tue May 25, 2010 4:21 am 
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Joined: Mon Mar 17, 2008 1:40 am
Posts: 11425
Damn. Now this Celine Dion (My heart will go on) song sounds crappy again (volume going up and down all the time).

I'll try the following method later to get rid of this effect:
A = Volume with hold time (previous BETA versions)
B = Maximum allowed output level for current sample
C = Level used the last time the level was dropped

Then, for every sample, use the following volume: max(A, min(B, C + 1 dB)) :shock:

The "+1 dB" should reduce the level differences, but should be small enough to be not (or hardly) noticeable.


Or I could make the hold time configurable...


(Creating a good AGC is a lot harder than I expected...... :( )


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 Post subject: Re: Stereo Tool 5.00
PostPosted: Tue May 25, 2010 4:27 am 

Joined: Mon Jun 09, 2008 2:45 pm
Posts: 104
Quote:
Damn. Now this Celine Dion (My heart will go on) song sounds crappy again (volume going up and down all the time). I'm starting to think that I need to combine the 2 methods: Keep track of the volume both with and without 'hold time', and then use the minimum of the version with hold time plus a bit and the version without hold time. :shock:

Maybe make the AGC fully configurable - attack time, rise time, hold time? Then, you can blame the users. :lol:

Attack time = time to attenuate once the volume is above a threshold
Hold time = time to hold the attenuation before the threshold is crossed
Rise time = time to release the signal from attenuation

I think I have it sounding decently, when I set a low threshold (-14.28dB RMS/"20"), gated at +3. This is based on the beta you just uploaded (the new AGC took me for a surprise!)
Code:
[Common]
Pre amplifier=5
Post amplifier=0.899999976
Extra loudness=1
Extra loudness - Very deep bass relative clipping level=0
Extra loudness - Allow extra lows (advanced)=0
Extra loudness - Allow extra highs (advanced)=0
Extra loudness - Punchy=0.284999967
Extra loudness - Max Punch peak=0.75
Extra loudness - Deep bass protection - Enabled=0
Extra loudness - Deep bass protection - Difference=0
Extra loudness - Deep bass protection - Value=0.638750076
Extra loudness - Forcibly remove DC component caused by Loudness=0
Bass protection - Enabled=1
Bass protection - Two steps=0
Bass protection - Clip level=140
Bass protection - Deep bass boost=0
Bass protection - Raise clip level if highs get above=150
Bass protection - Maximum clip level raise=35
Hard limit output=1
[Noise Gate]
Enabled=1
Difference=0
Noise level=3.849999905
Relative noise gate level - Band 1=1
Relative noise gate level - Band 2=1
Relative noise gate level - Band 3=1
Relative noise gate level - Band 4=1.150537491
Relative noise gate level - Band 5=1.352941036
Relative noise gate level - Band 6=1.409638405
Relative noise gate level - Band 7=1.150537491
[Singleband Compressor]
Enabled=1
Difference=0
Maximum volume=4
Attack speed=0.000005672
Decay speed=0.00232897
Above Top Limiter=0.560000002
[Pre Compressor]
Enabled=1
Difference=114
Delay enabled=0
Maximum volume - Band 1=20000
Attack speed - Band 1=0.000001655
Attack speed - Band 3=0.000001655
Decay speed - Band 1=0.0010933
Decay speed - Band 3=0.0010933
Dual band=1
Third band=1
Relative expected volume of highs=0.200000003
Relative maximum volume of highs=1.199999928
Relative maximum volume of very highs=0.299999982
Remove remaining peaks above (relative to maximum volume)=5
Maximum expected dynamics strength for smoothing=1.199999928
Enable smoothing=1
Smoothing time=30
Gating level=123201
Use ITU-BS.1770=0
[Multiband Compressor]
Enabled=1
Difference=0
Delay enabled=0
Maximum volume - Band -1=8000
Maximum volume - Band 0=7799.999511719
Maximum volume - Band 1=7799.999511719
Maximum volume - Band 2=7160
Maximum volume - Band 3=5400
Maximum volume - Band 4=5000
Maximum volume - Band 5=3399.999755859
Maximum volume - Band 6=4650
Maximum volume - Band 7=3050
Maximum volume - Band 8=4000
Attack speeds linked=1
Attack speed - Band -1=0.000005229
Attack speed - Band 0=0.000005229
Attack speed - Band 1=0.000005229
Attack speed - Band 2=0.000005229
Attack speed - Band 3=0.000005229
Attack speed - Band 4=0.000005229
Attack speed - Band 5=0.000005229
Attack speed - Band 6=0.000005229
Attack speed - Band 7=0.000005229
Attack speed - Band 8=0.000005229
Decay speeds linked=1
Decay speed - Band -1=0.000089597
Decay speed - Band 0=0.000089597
Decay speed - Band 1=0.000089597
Decay speed - Band 2=0.000089597
Decay speed - Band 3=0.000089597
Decay speed - Band 4=0.000089597
Decay speed - Band 5=0.000089597
Decay speed - Band 6=0.000089597
Decay speed - Band 7=0.000089597
Decay speed - Band 8=0.000089597
Above Top Limiter=0.5
Clipping enabled=1
Postprocessing enabled=1
Relative clip position - Band -1=-1
Relative clip position - Band 0=-1
Relative clip position - Band 1=-1
Relative clip position - Band 2=-1
Relative clip position - Band 3=-1
Relative clip position - Band 4=-1
Relative clip position - Band 5=0.801801801
Relative clip position - Band 6=0.90476203
Relative clip position - Band 7=0.801801801
Relative clip position - Band 8=0.90476203
Final limiter value=1
Final limiter decay speed=0.999000013
Final limiter clipping=20
Equalizer enabled=0
Equalize before multiband-compression=0
Equalizer position - Band -1=1
Equalizer position - Band 0=1
Equalizer position - Band 1=1
Equalizer position - Band 2=1
Equalizer position - Band 3=1
Equalizer position - Band 4=1
Equalizer position - Band 5=1
Equalizer position - Band 6=1
Equalizer position - Band 7=1
Equalizer position - Band 8=1
[Stereo]
Enabled=3
Stereo AZIMUTH Enabled=1
Stereo Image Enabled=0
Stereo Boost Enabled=1
Stereo Boost Excessive Reverb Protection Enabled=0
Delay enabled=0
Difference=0
Center bass=0
AZIMUTH limit=11
AZIMUTH change speed=0.099999994
Image phase amplifier=1
Image phase amplifier maximum angle=180
Image phase amplifier maximum separation strength=100
Image width amplifier=1
Extra phase shift=0
Mono or stereo only=0
Stereo Boost strength=10
Stereo Boost maximum amplification=0.699999988
Stereo Boost multiplier=0.899999976
Stereo Boost - Never reduce below original level=0
[Channel Delay]
Enabled=0
Left Delay=0
[Output Filter]
Enabled=0
Lowpass filter=15000
Highpass filter=25
Highpass filter linearity=Auto
[Bass Boost]
Enabled=0
Strength=1
Start lowpass frequency of input filter=0
End lowpass frequency of input filter=250
Start lowpass frequency of output filter=250
End lowpass frequency of output filter=350
Clip level=1.5
Clip level is relative to estimated maximum level=1
Preserve louder peaks=1
Difference=0
[Phase Rotator]
Enabled=0
Start frequency=3500
Start speed=1350
Number of rotations=6
Smoothness=0.985999942
[Final Limiter]
Enabled=1
Difference=0
Pre-amp=1.5
Pre-limiter enabled=1
Pre-limiter relative volume=1
Reduced CPU processing=0
[FM Transmitter]
Enabled=0
Pre-emphasize=0
Pre-emphasis time=50
Output is pre-emphasized=0
Stereo encoder enabled=0
RDS encoder enabled=0
Pilot signal volume=9
RDS signal volume=4.5
FM overdrive volume=1
RDS PS text=2s:STEREO/2s:TOOL/<1=1.5s,2..-2=2t,-1=1.5s:WWW.STEREOTOOL.COM/|\W"PLAYING %artist% - %title%        "/1s:\T2h\:\T02m\:\T02s/1s:\T2h\:\T02m\.\T02s/1s:\T2h\:\T02m\:\T02s
RDS RadioText text=60s:Stereo Tool: Professional Audio Processing - www.stereotool.com/30s:Stereo Tool by Hans van Zutphen, 1999-2008 - www.stereotool.com/30s:\W"%artist% - %title% - %album%"
RDS PTY=0
RDS PI=65535
RDS Alternative frequency 1=0
RDS Alternative frequency 2=0
RDS Alternative frequency 3=0
RDS Alternative frequency 4=0
RDS Alternative frequency 5=0
RDS Alternative frequency 6=0
RDS Alternative frequency 7=0
RDS Alternative frequency 8=0
RDS Alternative frequency 9=0
RDS Alternative frequency 10=0
RDS Alternative frequency 11=0
RDS Alternative frequency 12=0
RDS Alternative frequency 13=0
RDS Alternative frequency 14=0
RDS Alternative frequency 15=0
RDS Alternative frequency 16=0
RDS Alternative frequency 17=0
RDS Alternative frequency 18=0
RDS Alternative frequency 19=0
RDS Alternative frequency 20=0
RDS Alternative frequency 21=0
RDS Alternative frequency 22=0
RDS Alternative frequency 23=0
RDS Alternative frequency 24=0
RDS Alternative frequency 25=0
RDS TP=0
RDS TA=1
RDS Music=1
RDS Artificial Head=0
RDS Compressed=1
RDS Dynamic PTY=0
RDS RadioText Enabled=1
RDS ClockTime Enabled=1
FM Transmitter Calibration Enabled=0
MPX Oversampling mode=Follow main Quality setting
FM Transmitter Calibration - Volume 20 Hz=1
FM Transmitter Calibration - Volume 40 Hz=1
FM Transmitter Calibration - Volume 80 Hz=1
FM Transmitter Calibration - Volume 160 Hz=1
FM Transmitter Calibration - Volume 320 Hz=1
FM Transmitter Calibration - Volume 640 Hz=1
FM Transmitter Calibration - Volume 1280 Hz=1
FM Transmitter Calibration - Volume 2560 Hz=1
FM Transmitter Calibration - Volume 5120 Hz=1
FM Transmitter Calibration - Volume 10240 Hz=1
FM Transmitter Calibration - Volume 19000 Hz=1
FM Transmitter Calibration - Volume 23000 Hz=1
FM Transmitter Calibration - Volume 28000 Hz=1
FM Transmitter Calibration - Volume 33000 Hz=1
FM Transmitter Calibration - Volume 38000 Hz=1
FM Transmitter Calibration - Volume 43000 Hz=1
FM Transmitter Calibration - Volume 48000 Hz=1
FM Transmitter Calibration - Volume 53000 Hz=1
FM Transmitter Calibration - Volume 57000 Hz=1
FM Transmitter Calibration - Phase shift 20 Hz=0
FM Transmitter Calibration - Phase shift 40 Hz=0
FM Transmitter Calibration - Phase shift 80 Hz=0
FM Transmitter Calibration - Phase shift 160 Hz=0
FM Transmitter Calibration - Phase shift 320 Hz=0
FM Transmitter Calibration - Phase shift 640 Hz=0
FM Transmitter Calibration - Phase shift 1280 Hz=0
FM Transmitter Calibration - Phase shift 2560 Hz=0
FM Transmitter Calibration - Phase shift 5120 Hz=0
FM Transmitter Calibration - Phase shift 10240 Hz=0
FM Transmitter Calibration - Phase shift 19000 Hz=0
FM Transmitter Calibration - Phase shift 23000 Hz=0
FM Transmitter Calibration - Phase shift 28000 Hz=0
FM Transmitter Calibration - Phase shift 33000 Hz=0
FM Transmitter Calibration - Phase shift 38000 Hz=0
FM Transmitter Calibration - Phase shift 43000 Hz=0
FM Transmitter Calibration - Phase shift 48000 Hz=0
FM Transmitter Calibration - Phase shift 53000 Hz=0
FM Transmitter Calibration - Phase shift 57000 Hz=0
[Direct soundcard access]
Enabled=0
Device ID=Microsoft Sound Mapper
Volume=1
Buffer size=1
Send to Winamp=Nothing
ASIO Override channel 1=4
ASIO Override channel 2=5
[Low latency output]
Enabled=0
Device ID=ERROR: INVALID DEVICEID
Volume=1
Buffer size=0.079999998
ASIO Override channel 1=2
ASIO Override channel 2=3
One thing I noticed though, is that these new settings (above) of mine do NOT lead quickly - there is a potential concern for "two second" clips which are quiet.

I sped things up with this, I think I'm doing it right by guessing what everything does... :lol:
Code:
[Common]
Pre amplifier=5
Post amplifier=0.899999976
Extra loudness=1
Extra loudness - Very deep bass relative clipping level=0
Extra loudness - Allow extra lows (advanced)=0
Extra loudness - Allow extra highs (advanced)=0
Extra loudness - Punchy=0.284999967
Extra loudness - Max Punch peak=0.75
Extra loudness - Deep bass protection - Enabled=0
Extra loudness - Deep bass protection - Difference=0
Extra loudness - Deep bass protection - Value=0.638750076
Extra loudness - Forcibly remove DC component caused by Loudness=0
Bass protection - Enabled=1
Bass protection - Two steps=0
Bass protection - Clip level=140
Bass protection - Deep bass boost=0
Bass protection - Raise clip level if highs get above=150
Bass protection - Maximum clip level raise=35
Hard limit output=1
[Noise Gate]
Enabled=1
Difference=0
Noise level=3.849999905
Relative noise gate level - Band 1=1
Relative noise gate level - Band 2=1
Relative noise gate level - Band 3=1
Relative noise gate level - Band 4=1.150537491
Relative noise gate level - Band 5=1.352941036
Relative noise gate level - Band 6=1.409638405
Relative noise gate level - Band 7=1.150537491
[Singleband Compressor]
Enabled=1
Difference=0
Maximum volume=4
Attack speed=0.000005672
Decay speed=0.00232897
Above Top Limiter=0.560000002
[Pre Compressor]
Enabled=1
Difference=114
Delay enabled=0
Maximum volume - Band 1=20000
Attack speed - Band 1=0.000001655
Attack speed - Band 3=0.000001655
Decay speed - Band 1=0.0010933
Decay speed - Band 3=0.0010933
Dual band=1
Third band=1
Relative expected volume of highs=0.200000003
Relative maximum volume of highs=1.199999928
Relative maximum volume of very highs=0.299999982
Remove remaining peaks above (relative to maximum volume)=5
Maximum expected dynamics strength for smoothing=1.5
Enable smoothing=1
Smoothing time=15.089999199
Gating level=123201
Use ITU-BS.1770=0
[Multiband Compressor]
Enabled=1
Difference=0
Delay enabled=0
Maximum volume - Band -1=8000
Maximum volume - Band 0=7799.999511719
Maximum volume - Band 1=7799.999511719
Maximum volume - Band 2=7160
Maximum volume - Band 3=5400
Maximum volume - Band 4=5000
Maximum volume - Band 5=3399.999755859
Maximum volume - Band 6=4650
Maximum volume - Band 7=3050
Maximum volume - Band 8=4000
Attack speeds linked=1
Attack speed - Band -1=0.000005229
Attack speed - Band 0=0.000005229
Attack speed - Band 1=0.000005229
Attack speed - Band 2=0.000005229
Attack speed - Band 3=0.000005229
Attack speed - Band 4=0.000005229
Attack speed - Band 5=0.000005229
Attack speed - Band 6=0.000005229
Attack speed - Band 7=0.000005229
Attack speed - Band 8=0.000005229
Decay speeds linked=1
Decay speed - Band -1=0.000089597
Decay speed - Band 0=0.000089597
Decay speed - Band 1=0.000089597
Decay speed - Band 2=0.000089597
Decay speed - Band 3=0.000089597
Decay speed - Band 4=0.000089597
Decay speed - Band 5=0.000089597
Decay speed - Band 6=0.000089597
Decay speed - Band 7=0.000089597
Decay speed - Band 8=0.000089597
Above Top Limiter=0.5
Clipping enabled=1
Postprocessing enabled=1
Relative clip position - Band -1=-1
Relative clip position - Band 0=-1
Relative clip position - Band 1=-1
Relative clip position - Band 2=-1
Relative clip position - Band 3=-1
Relative clip position - Band 4=-1
Relative clip position - Band 5=0.801801801
Relative clip position - Band 6=0.90476203
Relative clip position - Band 7=0.801801801
Relative clip position - Band 8=0.90476203
Final limiter value=1
Final limiter decay speed=0.999000013
Final limiter clipping=20
Equalizer enabled=0
Equalize before multiband-compression=0
Equalizer position - Band -1=1
Equalizer position - Band 0=1
Equalizer position - Band 1=1
Equalizer position - Band 2=1
Equalizer position - Band 3=1
Equalizer position - Band 4=1
Equalizer position - Band 5=1
Equalizer position - Band 6=1
Equalizer position - Band 7=1
Equalizer position - Band 8=1
[Stereo]
Enabled=3
Stereo AZIMUTH Enabled=1
Stereo Image Enabled=0
Stereo Boost Enabled=1
Stereo Boost Excessive Reverb Protection Enabled=0
Delay enabled=0
Difference=0
Center bass=0
AZIMUTH limit=11
AZIMUTH change speed=0.099999994
Image phase amplifier=1
Image phase amplifier maximum angle=180
Image phase amplifier maximum separation strength=100
Image width amplifier=1
Extra phase shift=0
Mono or stereo only=0
Stereo Boost strength=10
Stereo Boost maximum amplification=0.699999988
Stereo Boost multiplier=0.899999976
Stereo Boost - Never reduce below original level=0
[Channel Delay]
Enabled=0
Left Delay=0
[Output Filter]
Enabled=0
Lowpass filter=15000
Highpass filter=25
Highpass filter linearity=Auto
[Bass Boost]
Enabled=0
Strength=1
Start lowpass frequency of input filter=0
End lowpass frequency of input filter=250
Start lowpass frequency of output filter=250
End lowpass frequency of output filter=350
Clip level=1.5
Clip level is relative to estimated maximum level=1
Preserve louder peaks=1
Difference=0
[Phase Rotator]
Enabled=0
Start frequency=3500
Start speed=1350
Number of rotations=6
Smoothness=0.985999942
[Final Limiter]
Enabled=1
Difference=0
Pre-amp=1.5
Pre-limiter enabled=1
Pre-limiter relative volume=1
Reduced CPU processing=0
[FM Transmitter]
Enabled=0
Pre-emphasize=0
Pre-emphasis time=50
Output is pre-emphasized=0
Stereo encoder enabled=0
RDS encoder enabled=0
Pilot signal volume=9
RDS signal volume=4.5
FM overdrive volume=1
RDS PS text=2s:STEREO/2s:TOOL/<1=1.5s,2..-2=2t,-1=1.5s:WWW.STEREOTOOL.COM/|\W"PLAYING %artist% - %title%        "/1s:\T2h\:\T02m\:\T02s/1s:\T2h\:\T02m\.\T02s/1s:\T2h\:\T02m\:\T02s
RDS RadioText text=60s:Stereo Tool: Professional Audio Processing - www.stereotool.com/30s:Stereo Tool by Hans van Zutphen, 1999-2008 - www.stereotool.com/30s:\W"%artist% - %title% - %album%"
RDS PTY=0
RDS PI=65535
RDS Alternative frequency 1=0
RDS Alternative frequency 2=0
RDS Alternative frequency 3=0
RDS Alternative frequency 4=0
RDS Alternative frequency 5=0
RDS Alternative frequency 6=0
RDS Alternative frequency 7=0
RDS Alternative frequency 8=0
RDS Alternative frequency 9=0
RDS Alternative frequency 10=0
RDS Alternative frequency 11=0
RDS Alternative frequency 12=0
RDS Alternative frequency 13=0
RDS Alternative frequency 14=0
RDS Alternative frequency 15=0
RDS Alternative frequency 16=0
RDS Alternative frequency 17=0
RDS Alternative frequency 18=0
RDS Alternative frequency 19=0
RDS Alternative frequency 20=0
RDS Alternative frequency 21=0
RDS Alternative frequency 22=0
RDS Alternative frequency 23=0
RDS Alternative frequency 24=0
RDS Alternative frequency 25=0
RDS TP=0
RDS TA=1
RDS Music=1
RDS Artificial Head=0
RDS Compressed=1
RDS Dynamic PTY=0
RDS RadioText Enabled=1
RDS ClockTime Enabled=1
FM Transmitter Calibration Enabled=0
MPX Oversampling mode=Follow main Quality setting
FM Transmitter Calibration - Volume 20 Hz=1
FM Transmitter Calibration - Volume 40 Hz=1
FM Transmitter Calibration - Volume 80 Hz=1
FM Transmitter Calibration - Volume 160 Hz=1
FM Transmitter Calibration - Volume 320 Hz=1
FM Transmitter Calibration - Volume 640 Hz=1
FM Transmitter Calibration - Volume 1280 Hz=1
FM Transmitter Calibration - Volume 2560 Hz=1
FM Transmitter Calibration - Volume 5120 Hz=1
FM Transmitter Calibration - Volume 10240 Hz=1
FM Transmitter Calibration - Volume 19000 Hz=1
FM Transmitter Calibration - Volume 23000 Hz=1
FM Transmitter Calibration - Volume 28000 Hz=1
FM Transmitter Calibration - Volume 33000 Hz=1
FM Transmitter Calibration - Volume 38000 Hz=1
FM Transmitter Calibration - Volume 43000 Hz=1
FM Transmitter Calibration - Volume 48000 Hz=1
FM Transmitter Calibration - Volume 53000 Hz=1
FM Transmitter Calibration - Volume 57000 Hz=1
FM Transmitter Calibration - Phase shift 20 Hz=0
FM Transmitter Calibration - Phase shift 40 Hz=0
FM Transmitter Calibration - Phase shift 80 Hz=0
FM Transmitter Calibration - Phase shift 160 Hz=0
FM Transmitter Calibration - Phase shift 320 Hz=0
FM Transmitter Calibration - Phase shift 640 Hz=0
FM Transmitter Calibration - Phase shift 1280 Hz=0
FM Transmitter Calibration - Phase shift 2560 Hz=0
FM Transmitter Calibration - Phase shift 5120 Hz=0
FM Transmitter Calibration - Phase shift 10240 Hz=0
FM Transmitter Calibration - Phase shift 19000 Hz=0
FM Transmitter Calibration - Phase shift 23000 Hz=0
FM Transmitter Calibration - Phase shift 28000 Hz=0
FM Transmitter Calibration - Phase shift 33000 Hz=0
FM Transmitter Calibration - Phase shift 38000 Hz=0
FM Transmitter Calibration - Phase shift 43000 Hz=0
FM Transmitter Calibration - Phase shift 48000 Hz=0
FM Transmitter Calibration - Phase shift 53000 Hz=0
FM Transmitter Calibration - Phase shift 57000 Hz=0
[Direct soundcard access]
Enabled=0
Device ID=Microsoft Sound Mapper
Volume=1
Buffer size=1
Send to Winamp=Nothing
ASIO Override channel 1=4
ASIO Override channel 2=5
[Low latency output]
Enabled=0
Device ID=ERROR: INVALID DEVICEID
Volume=1
Buffer size=0.079999998
ASIO Override channel 1=2
ASIO Override channel 2=3


Last edited by SuperH on Tue May 25, 2010 4:40 am, edited 2 times in total.

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 Post subject: Re: Stereo Tool 5.00
PostPosted: Tue May 25, 2010 4:40 am 
User avatar

Joined: Tue Mar 17, 2009 2:56 pm
Posts: 4229
owh

This gone too far D:

Make 5-band AGC like Multiband.. done! :D 8-)


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 Post subject: Re: Stereo Tool 5.00
PostPosted: Tue May 25, 2010 5:00 am 
Site Admin
User avatar

Joined: Mon Mar 17, 2008 1:40 am
Posts: 11425
After thinking a bit more about this, I'm now starting to think that maybe I should just leave things as they are. The solutions that I described in my previous post will probably work, and be hardly noticeable, but still, it reduces the dynamic range of the recording. Which is bad.

Other solutions will probably always have similar issues. Without looking ahead, it's impossible to know if a loud sound is a bass kick - with low level sounds coming afterwards - or the start of a really loud compressed track.

If I don't lower the volume very quickly, the start of a really loud compressed track will be too loud for a too long period.
If I lower it too quickly and don't do anything about it afterwards, single loud kicks among softer sounds lead to a too low level for the entire track.
Quickly increasing the volume after a loud kick to compensate for this leads to reduced dynamics.
The 'RMS smoothing' feature can only be used for very small corrections, because otherwise the volume changes will be clearly noticeable.


Maybe a small difference in output level is less bad than all of this.


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