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Have been visiting an event today and will do the same tomorrow - so no updates for now. I'll do a few more listening tests tonight.
Edit: I really can't say I hear any difference between these modes. Probably because my ears aren't trained yet for compression effects. So I'll have to rely on feedback from others.
When I enable 'Difference' as Bojcha suggested the differences (between "Target on Knee" on and off) are very clear, but I just don't hear them in the processed audio. Sometimes I think I've heard something, but it could be a placebo effect (I *know* I'm changing the setting).
I have to state, up front, that this discussion is a bit beyond me because the last time I was really serious about trying to study this kind of stuff was 24 years ago and I have forgotten a lot of stuff, but I do want to remind you of something.
I've noticed that "difference" is not really all that useful to me in many cases. The ears compensate for things to some extent, and as we learned from the "Aysmmetric Bass" issue, some people hear things that others do not.
Also, ultimately what you did with the spike protection in the AGC was beneficial, but quite a few people felt that that loud burst in "The Pretender" was bass, but it was really the forceful start of the "wh" sound and the attack phase of the percussion and guitar all starting at the same time, thus it was primarily high mid-range, not bass. Clipping in multiband around that area helped, and then the spike protection helped some more.
In other words, keep in mind that sounds have components across larger portions of the frequency spectrum than just their fundamentals. Things that people may attribute to a particular frequency range may or may not be where the problem lies.