Quote:
I'll have to disagree here. I discovered a few years ago that I can easily hear the difference of switching the polarity of asymmetrical bass waveforms. On headphones and on speakers, even in not so great acoustics.
Interesting... At the NAB someone came to the Omnia 9 booth and said the same thing (well, he didn't mention that they have to be asymmetrical!). Leif then quickly built in a phase polarity filter and both of us could not hear any difference - but I don't think the tracks we used for testing had asymmetrical bass waveforms.
Quote:
So it makes sense that a processor that alters the symmetry of bass waveforms should be audible, at least to some subset of subjects. Subtle? Yes. But I wouldn't say inaudible.
Even worse: The phase rotation filter moves sounds in time. If I move them in the opposite direction the effect is really noticeable (for pumping bass the highs are played before the lows, leading to a 'tjoonk' sound (no idea how to better describe this). So yes, it does lead to differences. However, I don't understand how that would improve clipped audio (unless... the ears notice pieces of 'flat' waveform - a temporary absense of all frequencies. The flat parts will not be flat anymore because phase rotation moves different frequencies to different times, so the flat part gets filled with other data). But clipping distortion frequencies are not removed.
What MIGHT happen is that for example for 'S' sounds that are temporarily gone (they disappear on bass frequency peaks) could be less noticeable after phase rotation. Will have to test that...
Quote:
Hans, I'm going to start working on a preset in the next week or two.

Cool
Multiband still needs a lot of work, as you'll probably notice. And I have a 'natural dynamics' filter (somewhat similar, but built using a completely different algorithm based on what I
think I know about what the Omnia 9 does) that I wrote and tested but still need to add. Maybe I should add it for version 6.20 - it does have a big effect on the audio...