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Thanks... I'm still trying to tweak that very last bit... I've moved the highpass up to 40 because I was still getting some rattling. Perhaps a non-phase linear highpass could be added directly to the AGC window as an option?
Rattling: Which latency do you use? And phase linear or non-phase linear?
Rattling = my equipment, nothing to do with you... For example, one rattle that was annoying me sounded like the diaphragm of my headphones clicking, but it turned out to be vibration of the plastic housing. It went away when I put my hand on the earpiece, thus deadening the vibration. Fortunately that's not noticable when I'm not sending through bass only, so it's somewhat of a ghost that I was chasing. I do need new cans though. I've gotten so used to how light these are (Bose Triport). The old pair of Sony MDR-V6 that I had may have been more accurate, but these are so much more comfortable.
Note: Yes, I know the triports of this era do some stuff with the bass. The spike exists when played through my Logitech Z-2200s as well, so it's not the headphones. I've just moved to using the headphones because of constant complaining about "boom boom" from the other people in the house...
I'm using 4096 and non-linear... The reason I was asking about this is because I was tinkering trying to find the troublesome spike and noticed that even if I set the highpass to max (150), I was still seeing movement in the first two bands in multiband. The second band movement is not surprising, depending on the dB/Octave slope you're using, but I wasn't expecting it to be as much as it was, and was expecting nothing going on in the first band.
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AGC: The only place where I can put a non-phase linear processor is BEFORE any other processing. During processing it's not possible anymore due to certain processing techniques that I'm using, especially at lower latencies that gives horrible artifacts - that's also the reason why I had to change the 'phase rotation' (also non phase linear!) behavior for the lowest latencies.
So, is the preamp a processing step then?
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On a related subject, have you ever considered a user-configurable band-stop filter (aka notch or band-reject)? I've got a spike somewhere between 60 and 120 that is annoying as can be, but I can't get at it.

In the past I've written some noise removal filters that could for example remove 50 Hz (or 60 Hz) hums from audio without touching the actual audio - these could first 'learn' the frequencies that needed to be removed and then do it. I might at some point add something like that to Stereo Tool...
I knew about the hum filtering, but what I'm chasing after is decidedly not a hum. It's a bass spike that is probably 1-2 Hz wide, probably between 80 and 100. I'm still trying to locate it, but without some sort of notch, the best I can do is attempt to minimize the damage to the surrounding frequencies...