Hi Dale,
A few weeks ago, you took the time to listen to my LOOM Radio V3.33 preset and you honestly told me that I was squashing the life out of the audio. Your comment was a real wake-up call for me. I took your feedback very seriously and completely changed the way I approached the processing.
Since then, I have completely rebuilt the preset. I'm no longer working on V3.33 but on a new version (V3.36C), developed after many hours of listening, comparing and fine-tuning.
I also followed the advice I received about my monitoring equipment and bought a Beyerdynamic DT770 Pro. It allowed me to hear the flaws in my processing much more accurately and helped me make significant progress.
In the meantime, I also had several very interesting discussions with Dave (DVA) here on the forum. He even integrated my preset into his own broadcast processing chain and ran it for several hours under real broadcasting conditions. After testing it, he only suggested a few adjustments that were specific to his own setup (enabling the Declipper, reducing the AGC Drive and using "Limit instead of Clip"). That gave me confidence that the overall architecture of the preset was moving in the right direction.
To build this new version, I took a lot of inspiration from DUMAN's preset. I really admire his processing philosophy, and it is currently the closest sound to the sonic image I would like to create for LOOM Radio.
To give you a better idea of the sound I'm aiming for, here is an example of the classic Fun Radio sound that has always inspired me:
https://soundcloud.com/user-16944405/fu ... p-francais
I'm not trying to copy this processing. What inspires me is the sense of space, depth, precision, warmth and the immersive feeling it creates.
LOOM Radio won't be a typical Top 40 station. A large part of the playlist will consist of lounge, groove, soul, nu-disco, elegant funk and artists such as Stéphane Pompougnac, the DJ and music curator behind the famous Hôtel Costes in Paris. That musical universe is a major source of inspiration for the sound I want LOOM to have.
Today, I feel that I'm getting much closer to my goal, but there is still one challenge I haven't completely solved.
I'm looking for extremely natural and well-defined consonants, especially S, T and CH sounds. Despite all the improvements I've made, I can still hear a slight harshness or occasional splattering on some sibilants in certain tracks.
Do you think there are specific modules or settings in Stereo Tool that I should focus on to improve this without losing the openness, texture, warmth and musicality I've managed to achieve?
My goal is not to build the loudest preset. I want to create a real sonic identity: an immersive, airy, highly detailed and responsive sound, with deep sub-bass that gently stays in the background and adds subtle warmth to the music. More than anything, I want LOOM Radio to have a premium sound signature that people can instantly recognize—not because it's the loudest station, but because of its unique personality.
If you have some time to listen to this new version and let me know whether you think I'm moving in the right direction, I would really appreciate your opinion.
Thank you once again for taking the time to listen and for helping me improve.
Patrice