Hi Dave,
Thank you very much for your reply. It really meant a lot to me and gave me even more motivation to keep learning.
Over the last few days, I decided to stop changing my processing in every possible direction and simply trust my ears more.
I think I have finally found a foundation that I'm really happy with. It's still far from perfect, but for the first time I truly feel that I'm moving in the right direction.
I'd like to share my current preset with you (V3.36 C). It is still a work in progress. It has evolved thanks to the advice of several highly experienced broadcast engineers on this forum, but also through countless hours of listening, experimenting and learning. Of course, it is still the work of a passionate amateur who discovers something new every day.
As I've progressed, I've realized something very important:
I'm not looking for more loudness. I'm looking for a true signature sound.
The sound I have in mind is inspired by the great French radio stations of the late 1980s and early 1990s, especially Fun Radio.
A few days ago, I found this old archive on SoundCloud that perfectly illustrates the sound I'm trying to recreate:
https://soundcloud.com/user-16944405/fu ... p-francais
When I listened to it again, I immediately thought:
This is exactly the feeling I'm trying to recreate.
Not because it's louder, but because it sounds:
open and spacious,
immersive,
incredibly precise without ever becoming harsh,
with beautifully defined consonants (C, T and S sounds) that always remain smooth,
deep, warm sub-bass that gives the music warmth,
and subtle dynamics that keep the music alive without ever becoming fatiguing.
I know some audiophiles might not agree with this type of processing, but for me it has a unique musical personality. My dream is for someone to listen to LOOM Radio for just a few minutes and recognize its sound immediately, without even looking at the station's name.
I feel like I'm getting closer to that goal, although I know I still have a lot to learn.
If one day you have a little time and feel like listening to my preset, I would be truly honored. And if you think there are a few adjustments that could bring it even closer to that classic Fun Radio sound, I would be incredibly grateful for your advice. Of course, only if you have the time and the interest.
Thank you once again for your kindness, your generosity, and for sharing your knowledge with the Stereo Tool community. Being able to exchange ideas with someone who helped shape the history of broadcast audio is a real privilege.
I wish you all the best.
Kind regards,
Patrice
Founder of LOOM Radio
France