When using my Mac (like now), I cannot use "Stereo Tool" to process audio, unfortunately.
But, that doesn't mean I don't miss every bit of it!
One thing I know is available on many professional processors, but not on "Stereo Tool" is a "Hold Time" setting. What "Hold Time" allows you to do, is specify a delay after a compression event until the compression ratio is reduced (until it gets back down to 1:1).
Thus, you take the following scenario:
Attack time: 10ms
Hold time: 50ms
Release time: 100ms
If a signal is to be "attacked", it will be "held" for 50ms until the compression is released, and "decompression" then occurs over 100ms.
0--10--20--30--40--50--60--70--80--90--100--110--120--130--140--150--160--170--180--190--200 ms
If 0ms is a "problem signal" where compression is required, and "C" means "Just Compressed", "W" means "Waiting", "D" means "decompressing", and "N" means "normal", then with the above settings, the timeline applies:
0CC10WW20WW30WW40WW50WW60DD70DD80DD90DD100DD110DD120DD130DD140DD150DD160NN170NN180NN190NN200 ms
So, 0ms triggers a compression event, between 0ms and 10ms a signal is at fault where, compression is triggered.
10ms to 60ms is a 50ms span (the hold time) where compression is still occurring, no "decompression" is happening yet; nothing is being released.
60ms to 160ms is a 100ms span (the release time) where decompression occurs; the signal approaches the point of no attenuation.
160ms onward, nothing is occurring (audio is "normal", and the compression level is 1:1), and the signal is left as-is until the signal level passes the threshold and compression must occur again.
Does this make sense? Implementing something like this can GREATLY reduce pumping. This is how many professional processors are set up, and this is an element (after thinking about it) that I feel is missing.
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